近年来大型环境雕塑艺术的急剧增加，使人们越来越多地注意到铜雕艺术在人类社会中的基础作用。历史上从来没有一个时期象今天这样，如此大型和大量的铜雕艺术品出现在城市空间中。在建筑物的室内外，街道的边角或广场，走廊或楼梯口、林荫路和购物中心，花园、建筑物顶层空地，都能看到铜雕城市雕塑的存在。 In recent years, the dramatic increase of large-scale environmental sculpture art has made people pay more and more attention to the basic role of bronze sculpture in human society. There has never been a time in history when such a large and large amount of bronze sculpture art appeared in urban space. In the interior and exterior of the building, the corner or square of the street, the corridor or the stairway, the mall and the shopping center, the garden, the roof of the building, can see the existence of the sculpture of the bronze sculpture. 关于环境艺术和它在人类社会中的作用的问题在史前艺术家那里很可能就已提出来了。他们在自己的山洞里描绘巨大的画面，古埃及人建造了令人敬畏的“司芬克斯”、金字塔、麦姆南的双面巨像更是历史上的壮举。但是，史籍上并没有关于这个问题被提出的记载。弄清楚艺术与环境的关系非常重要，像早期的那些艺术家创作的体量巨大的环境作品已在此地绵亘了数千年。 The question of environmental art and its role in human society may have been raised by prehistoric artists. They painted a huge picture in their own cave, and the ancient egyptians built awe-inspiring "stuffers", pyramids, and mimnan's double-sided colossus, a historic feat. However, there is no record of this issue. It is important to understand the relationship between art and the environment, which has been around for thousands of years, like the vast volume of environmental works created by early artists. 人类对华美装饰的需求与对艺术所能实现的对人生观、价值观有深度影响的需求是不同的。装饰永远都是轻松待人，但“深度艺术”却经常使人感觉沉重，并不适合商业性或居位性房间的装饰，也不适合将其扩展为公共性的环境艺术，当然也不能一概而论，任何一个件作品必须置入一个具体的时空系统中，那些“深度艺术”更是如此，这样才能确定艺术与环境是融合还是冲突。象人工环境，自然环境，场所精神这些现象学概念可以为人物雕塑艺术与环境的关系提供一个例征。 The demand for the decorative decoration of human beings is different from the need to have a deep impact on life and values. Adornment is always easy to others, but the depth of the "art" is often makes a person feel heavy, not suitable for commercial or holds on the decoration of the room, and not suitable for to be extended to public environment art, also cannot treat as the same, of course, any piece of work must be in a specific time and space in the system, the depth of the "art", so as to determine the art fusion or conflict with the environment. The phenomenological concepts such as artificial environment, natural environment and place spirit can provide an example for the relationship between sculpture art and environment.